The previous installments in the Underworld franchise have been excellent, vastly entertaining, action packed and imaginative. Though this series is constantly being slated by critics it remains ever popular and from this latest installment its easy to see why. Kate Beckinsale returns for a fourth time and slips back into that leather suit as if she’s never even taken it off. This time round the writers have decided to reduce the mythology aspect of the films (a shame) and have instead focused on kicking off a whole new era to the Underworld series set in the future real world. Perhaps this change of period and world is what makes this installment somewhat weaker than its predecessors. There is a defenite lack of character and the film is so short (just an hour and fifteen minutes) that there is barely enough time to develop any sort of understanding of the characters. Kate Beckinsale is awesome as Selene and Charles Dance has fun in a very Bill Nighy like role. As for the rest of the cast they are very much forgettable. The direction is stylish, the action scenes well staged and the visuals, whilst somewhat weaker than previous installments, are good enough. Overall this film is nowhere near as good as Underworld and Underworld Evolution and seems way to rushed and short. It feels more like the first hour or so of a film and then it just ends, perhaps paving the way for inevitable sequels. If you’re a fan of the franchise, don’t miss it, this film is cool and action packed but the lycans are vastly underused, as are the vampires and without the myhtology and the otherworldly setting of the previous three its a very different Underworld. This is a two disc edition with some great features. Severeal featurettes, a commentary etc. Worthwhile if you’re a fan.
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Underworld: Awakening is the fourth instalment in the Underworld series. It follows on neatly from the last, showing us a world where humans successfully hunt & suppress Vampires & Lycan populations – officially the word is that Lycans are extinct and vampires are pretty much wiped out. Waking up from cryo-stasis-type-deal, Selene (Kate Beckinsale) has been out cold for 12 years and the world has changed into an authoritarian state (think Libria from Equilibrium) but, thanks to the Corvinus strain, she is plagued by visions from another’s eyes – Subject 2 – her liberator with whom she shares a unique connection.
The Lycans want Subject 2 at any cost, will Selene manage to keep her safe from them and work out why she is so important?
Firstly, if you are not familiar with the Underworld Trilogy then this probably isn’t the best place to start – despite being the highest budget ($70m) and highest grossing ($131m) of the quartet. For those familiar with the concept, you know the drill by now; guns, leather coats, spandex, blood-drinking and overly-muscled wolves.
Secondly, this film seems to have been written around the wardrobe department. We see Selene wake up from a secure 12-year-long-stasis and her clothes are right next to her chamber. Did they decide to keep them there just in case she woke up and needed to escape in a rush?? She falls to the floor in a fog of liquid nitrogen that allows her to assume the most glamour-model position possible as she lays on the floor. Then, the next scene freshly & fully dressed, she breaks into a separate clothes-shop for a coat (she’s a vampire – as in, doesn’t feel the cold!?) but boy, does that coat make cool swooping shapes when you are jumping off roof after roof.
Then there is a car chase, where Selene manages to find the only van in the city old enough to start by jamming a knife into the ignition, but turbo-charged enough to out-run sprinting quadrupeds 5 yards after a 90-degree turn. Even when they catch up, we are given no reason as to why Selene & co. were running in the first place as it appears they can kick Lycan butt with literally no effort as Selene is Supervampire (I’m thinking of trademarking that). The only plot mechanism they can possibly throw in after that revelation is Superwerewolf (not quite as catchy) and there’s your finale.
And also, I feel the need to tell director Måns Mårlind, that spraying random letter-number combinations (e.g. “U-7”) onto concrete walls does not make an entire dystopian city. Most of the scenes take place in the same/extremely-similar underground car-park & alleyways. Even when it is obvious this is meant to be a different part of the city, there is cringe-worthy prop-recycling (the same dumpster in every alley). At one-point, the vamps tool up in a silver-weapons locker with a big chemical symbol diamond on the door; “Ag 190” it reads. Silver’s atomic number is 47, not 190. Or were there 190 silver storage rooms in this underground car-park city? Expensive.
Anyhow, apologies for whinging at length. I just wanted to point out that this film just feels half-assed – like they’ve got the structure established and developed all the characters and this is just another money-spinner in the franchise. There is literally not one-part of the sets, plot or costume that has had any thought spent on it. The plot is even lifted from F.E.A.R. with flashbacks through another’s eyes – also named Subject 2. It’s unimaginative (a little girl in a vampire film – Is there anything more cliché?) and Måns Mårlind pulls bad-guys out of thin-air to propagate the plot. Acting is an acceptable standard for most involved (anybody else think Theo James is a dead-ringer for James Franco?) and the direction, CGI on the Lycans and special effects are brilliant.
So all in all, this is just more of the same from Underworld, missing a couple of the major characters (Michael) and it’s only 88 minutes long which includes the 14 minutes of credits. I’m opening myself up to get destroyed by the Underworld fanboys but I hope this helps make up your mind on whether it’s worth spending your hard earned cash on this!!
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This review is from: Underworld: Awakening (Blu-ray 3D + Blu-ray) (Blu-ray)
The fourth film in the Underworld series really is for fans only and by now you either are a fan or you’re not. If you are a fan there’s plenty to enjoy here in this very silly very trashy film. Underworld Rise Of The Lycans, the third film was a prequel showing how the war between the vampires and werewolves started and Kate Beckinsale’s Selene was only in a short scene at the start and end of the film so this takes place after the second film. Humans are now aware of the existence of the war between vampires and werewolves and are hunting both sides. Selene now has a daughter that is being experimented on in a lab run by government agents lead by Stephen Rea and there is a new vampire king played by Charles Dance while Selena’s lover Michael is missing. Some excellent action scenes and a good cast keep it all watchable and fun just don’t take any of it seriously and you should enjoy. If you have never seen the first three films you can easily keep up with the plot and this is the best in the series since the original film. A fifth film is inevitable.
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Plenty of action entertainment but just too short,
The previous installments in the Underworld franchise have been excellent, vastly entertaining, action packed and imaginative. Though this series is constantly being slated by critics it remains ever popular and from this latest installment its easy to see why. Kate Beckinsale returns for a fourth time and slips back into that leather suit as if she’s never even taken it off. This time round the writers have decided to reduce the mythology aspect of the films (a shame) and have instead focused on kicking off a whole new era to the Underworld series set in the future real world. Perhaps this change of period and world is what makes this installment somewhat weaker than its predecessors. There is a defenite lack of character and the film is so short (just an hour and fifteen minutes) that there is barely enough time to develop any sort of understanding of the characters. Kate Beckinsale is awesome as Selene and Charles Dance has fun in a very Bill Nighy like role. As for the rest of the cast they are very much forgettable.
The direction is stylish, the action scenes well staged and the visuals, whilst somewhat weaker than previous installments, are good enough.
Overall this film is nowhere near as good as Underworld and Underworld Evolution and seems way to rushed and short. It feels more like the first hour or so of a film and then it just ends, perhaps paving the way for inevitable sequels. If you’re a fan of the franchise, don’t miss it, this film is cool and action packed but the lycans are vastly underused, as are the vampires and without the myhtology and the otherworldly setting of the previous three its a very different Underworld.
This is a two disc edition with some great features. Severeal featurettes, a commentary etc. Worthwhile if you’re a fan.
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|More of the same,
Underworld: Awakening is the fourth instalment in the Underworld series. It follows on neatly from the last, showing us a world where humans successfully hunt & suppress Vampires & Lycan populations – officially the word is that Lycans are extinct and vampires are pretty much wiped out. Waking up from cryo-stasis-type-deal, Selene (Kate Beckinsale) has been out cold for 12 years and the world has changed into an authoritarian state (think Libria from Equilibrium) but, thanks to the Corvinus strain, she is plagued by visions from another’s eyes – Subject 2 – her liberator with whom she shares a unique connection.
The Lycans want Subject 2 at any cost, will Selene manage to keep her safe from them and work out why she is so important?
Firstly, if you are not familiar with the Underworld Trilogy then this probably isn’t the best place to start – despite being the highest budget ($70m) and highest grossing ($131m) of the quartet. For those familiar with the concept, you know the drill by now; guns, leather coats, spandex, blood-drinking and overly-muscled wolves.
Secondly, this film seems to have been written around the wardrobe department. We see Selene wake up from a secure 12-year-long-stasis and her clothes are right next to her chamber. Did they decide to keep them there just in case she woke up and needed to escape in a rush?? She falls to the floor in a fog of liquid nitrogen that allows her to assume the most glamour-model position possible as she lays on the floor. Then, the next scene freshly & fully dressed, she breaks into a separate clothes-shop for a coat (she’s a vampire – as in, doesn’t feel the cold!?) but boy, does that coat make cool swooping shapes when you are jumping off roof after roof.
Then there is a car chase, where Selene manages to find the only van in the city old enough to start by jamming a knife into the ignition, but turbo-charged enough to out-run sprinting quadrupeds 5 yards after a 90-degree turn. Even when they catch up, we are given no reason as to why Selene & co. were running in the first place as it appears they can kick Lycan butt with literally no effort as Selene is Supervampire (I’m thinking of trademarking that). The only plot mechanism they can possibly throw in after that revelation is Superwerewolf (not quite as catchy) and there’s your finale.
And also, I feel the need to tell director Måns Mårlind, that spraying random letter-number combinations (e.g. “U-7”) onto concrete walls does not make an entire dystopian city. Most of the scenes take place in the same/extremely-similar underground car-park & alleyways. Even when it is obvious this is meant to be a different part of the city, there is cringe-worthy prop-recycling (the same dumpster in every alley). At one-point, the vamps tool up in a silver-weapons locker with a big chemical symbol diamond on the door; “Ag 190” it reads. Silver’s atomic number is 47, not 190. Or were there 190 silver storage rooms in this underground car-park city? Expensive.
Anyhow, apologies for whinging at length. I just wanted to point out that this film just feels half-assed – like they’ve got the structure established and developed all the characters and this is just another money-spinner in the franchise. There is literally not one-part of the sets, plot or costume that has had any thought spent on it. The plot is even lifted from F.E.A.R. with flashbacks through another’s eyes – also named Subject 2. It’s unimaginative (a little girl in a vampire film – Is there anything more cliché?) and Måns Mårlind pulls bad-guys out of thin-air to propagate the plot. Acting is an acceptable standard for most involved (anybody else think Theo James is a dead-ringer for James Franco?) and the direction, CGI on the Lycans and special effects are brilliant.
So all in all, this is just more of the same from Underworld, missing a couple of the major characters (Michael) and it’s only 88 minutes long which includes the 14 minutes of credits. I’m opening myself up to get destroyed by the Underworld fanboys but I hope this helps make up your mind on whether it’s worth spending your hard earned cash on this!!
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|She’s back!,
The fourth film in the Underworld series really is for fans only and by now you either are a fan or you’re not. If you are a fan there’s plenty to enjoy here in this very silly very trashy film. Underworld Rise Of The Lycans, the third film was a prequel showing how the war between the vampires and werewolves started and Kate Beckinsale’s Selene was only in a short scene at the start and end of the film so this takes place after the second film. Humans are now aware of the existence of the war between vampires and werewolves and are hunting both sides. Selene now has a daughter that is being experimented on in a lab run by government agents lead by Stephen Rea and there is a new vampire king played by Charles Dance while Selena’s lover Michael is missing. Some excellent action scenes and a good cast keep it all watchable and fun just don’t take any of it seriously and you should enjoy. If you have never seen the first three films you can easily keep up with the plot and this is the best in the series since the original film. A fifth film is inevitable.
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|